In 1985 John moved back to his hometown of Philadelphia and joined forces with his close friend Hilary Jay to create a company they called Maximal Art. Their look hit the fashion world by storm, received tons of press, and was carried by the best stores in the world. One design in particular put them on the map-- four vintage watch heads linked into a bracelet that was the ultimate conversation piece!

Signature found-object collage brooches, belts, etc. came to define the era in a look that was a precursor to Steampunk. Janet Jackson, Cher and other superstars rocked the dynamic duo’s creations.

The 90s brought many changes-- minimalism, a recession, and the evolution of Maximal Art into the watch and gift worlds. Hilary moved on to become an award-winning journalist, gallery director, and the co-founder of Design Philadelphia. Robbin Cook, who had been working with John and Hilary since year one, became the company president. Together John and Robbin reinvented the brand, first with Modern Vintage watches that redefined the category, and then with a unique collection of Modern Victorian jewelry that focused on sentiments, holidays and beautiful vintage illustrations.

Later in the 90s, John developed a distinctive look that played off of Victorian jewelry and the duo essentially rebuilt the company into a world focused on sentiments, holidays and beautiful vintage illustrations. 

In 2004, fashion jewelry made a big comeback, and the company got right back into it with the introduction of the John Wind Signature Collection.

It was a new look, but with iconic materials and themes-- vintage and modern chains and charms, and evocative stories from John's travels-- from Portobello Road, London to Worth Avenue, Palm Beach. Victorian inspiration was replaced with Mid-Century Modern, sweet ‘Mother’ pins gave way to retro-chic ‘Sorority Gal’ initial bracelets. And with its unique mix of fashion and gift, the company became a key secret source for companies like Anthropologie and Disney, designing and producing extensive private label collections for many years.

To keep a company strong for almost four decades means being flexible and adapting to change. In 2017 John took a big leap into the future by deciding to focus more on artistic, signature, hand-made designs, rather than on the higher volume strategy of the past decade. He parted ways with Robbin, whose own leap was to take the lead in her own creative, entrepreneurial venture, Violet and Brooks. And he physically moved the company from the suburbs to an awesome 100 year old converted stable in South Philadelphia. There, working closely with Jennifer Rubin and a small team of artists and marketers, they got through the pandemic by reinventing yet again—this time as an online, direct to consumer
brand (while keeping a handful of loyal wholesale customers). Around this time John bought a chandelier at auction that used to hang at the Waldorf Astoria Hotel in New York. It was the beginning of the “Grand Hotel” Collection, the brand's first big online hit.